The analysis of the spaces in the film 'Call Me By Your Name' to understand the well-defined separation between indoor and outdoor spaces, without ever taking away and underestimating, however, the role played by nature and light, two fundamental elements. Examining the three rooms, there was a focus placed on the relationship and connection between materials and colors. There is a give any take relationship between the interior and exterior spaces, through the multiple apertures, the nature seems to make its way into the dwelling, and the objects placed about the interior seem to be mimicked in the outside world.
The principle of depth seen as privacy: a dark color represents a place that is 'dark' and consequently provided with intimacy. The front part, which is proposed entirely transparent, allows us to see the shade, the core of the model, which represents an impediment to the view thanks to the panels with different saturations and the formation of their world through visual immersion. The back area, which has some openings, stems from the need to want to re-propose what is proposed at the beginning of the project: the window openings that in an abstract way result as paintings facing the world, letting light and nature into the environment.